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1 |
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Guptajit Pathak |
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Reference Education/College |
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2007-10-16 |
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There is a raging debate over the fact that whether history is an art or science. History as an Art: Those who believe that history is an art advocate the following opinion :— 1) According to Rickman, “History deals with sequence of events, each of them unique while science is concerned with the routine appearance of things and aims at generation and the establishment of regularities, governed by laws.” 2) Colingwood says, “Events of history are the things which the historian looks, not at, but through, to discern the thought within.” 3) Some scholars are of the view that history is neither pure science nor pure art. In other words, a blending of the two. When it discovers facts it is a science and when it settles truths, it becomes an art. 4) Some of the people went to the view that history is a part of literature. 5) Historical data are not available for scientific observation and experiment. 6) History is an art only. It cannot be called science. It is not based upon certain concepts and ideologies. 7) Of course, history is a social science, which contacts with human life and actions. 8) In history, we have a set of the data. It is fully analysed and classified. History is a science:— From the following points we can define history as a science. 1) History aims at discovering facts of the past events and interprets them objectively. 2) History uses various traits of enquiry such as observation, classification, formulation of hypothesis and explanation of evidence before reconstructing the past. 3) History follows the trends of enquiry to find out. 4) History seeks to tell the fact by giving a scientific method, hence, it is a science. 5) Is history a science as physics or chemistry or biology are? It is of course a negative question. History is a social science. It deals only with the experiences of human beings and human civilizations. 6) Historical facts cannot be observed. Then, what is history? 1) History is a unique subject possessing the potentials of both an art and a science. 2) Secondly, history is neither pure science nor art, hence, it is two sides of the same coin. 3) Thirdly, history of course is a social science and an art. In that condition history shows its flexibility and variety. 4) Fourthly, history is a subject of study is less or more completely at the mercy of sources. 5) Fifthly, history is a natural science.
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2 |
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Sharon White |
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Arts Entertainment/Arts Entertainment |
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2007-06-20 |
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To write Art history term paper you need to have some specialized knowledge. Unless you are a born artist or a professional art critic (either born or made), you will not be able to write a convincing art history term paper. The subject is not like writing essays on topics like, “A visit to the zoo’ or ‘My favorite cold drink!’ Here the challenge is, some noble soul has created, let us say for example, a painting! You need to understand the emotions of the artist first, and if you don’t understand take your friend, guide and philosopher in the field of art and discuss the intricacies of the painting threadbare! You must be able to narrate in your art history term paper, the silence that has been captured by the artist, in the 24” x 36” miracle hanging in front of you teasing your brainwaves. You instantly wish to record in black and white, your inspirations at the first glance of it, but you don’t know how to do that! Art history term paper requires some special skill; otherwise your position will be just like an inexperienced lover! You have met your eve, you know she is willing, but you don’t know proper words to express your love! “Silence is the sweetest sound on Earth,” said Mr. Boris Pasternak, the noble prize winning author from Russia. Silence is golden, okay, but speech is also silver. To describe a piece of art, to write an art history term paper, you need to develop a special vocabulary, as applicable to the world of art. Just as a chef has mastered the vocabulary related to his great kitchen, you can describe art, through the words related to art only. Once you understand what you see, you need to translate it into words, in your art history term paper, Art discipline is no ordinary discipline. A small stroke may mean so many things in a painting. The terms and concepts and putting them in your verbal format requires lots of skill. It is better that you draft glossaries of the words related to art and master them thoroughly, with their one or more meanings. This will be a handy tool for many of your voyages through the world of art. The second most important aspect of the art history term paper is that you need to develop an argument about the object that you see, may be a building, sculpture or a painting. To develop an argument you need to suitably present both the plus and minus aspects of the object. This is not possible without your making specialized and intensive studies of books and guides on the history and current trends in art. There are hundreds of books on the subject, but to begin with, you can go through the book of Sylvan Barnet, ‘A Short Guide to Writing about Art.’ Keep a pad and pencil always with you. All art lovers and artists are strange people. You may get strange ideas for your art history term paper at the most unsuspected moment. Record them immediately, because the ideas once forgotten may not flash again in the curtain of your mind.
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3 |
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Mr.Andrew Caxton |
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Home Family/Home Management |
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2007-08-18 |
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Art deco has been popular since the 1920s. Its popularity declined after the Great Depression but has recently begun a rebirth. This style works well in both offices and homes. The profession of interior design has a tradition that goes back many years. The tradition of the profession has included both office buildings and private homes where various principles of design were utilized in order to give the rooms a look that boasted of beauty as well as art. When you embark upon redesigning any interior area, it's pertinent to decide the style you plan to incorporate in your plans before you even begin. Art Deco is among the design concepts that have been in use for several decades. History of Art Deco Originally, this style was used specifically as a decorative style during the 1920s and 1930s. At that time in history, it was considered not only functional but elegant and ultra modern as well. This style is eclectric in nature and pulls its ideas from many different areas of influence. A few are considered archaic while others are derived from streamlined technology such as aviation. Because of its binding with other techniques that have roots in Cubism as well as Futurism, art deco includes a wide variety of functionality in addition to articulacy. An interior decorator that uses this style is free to incorporate many different ideas within the internal area of your home's space. The materials that you use for this design scheme includes stainless steel, inlaid wood, and even sharkskin or zebra skin. When the machine age arrived, harder and more metallic materials joined the list of art deco materials. Art deco accomplishes this through repetition and symmetry. Art deco did well during the depression because it was both practical and simple. Modern Rebirth The popularity of the art deco decorating style declined not long after the Great Depression, but recently it has begun to experience a renewed vitality by interested home dwellers, and you should indeed feel free to use this style of design whenever you want. If you're looking for classic retro styling, you definitely want to think about art deco. You can see numerous examples of this style of design in buildings including one of the tallest buildings in New York finished in 1931. Although many of the skyscrapers that used art deco have been demolished, they are still able to show you an excellent portrayal of the majesty of art deco. Using Art Deco Art deco makes use of strong and sharp angles within each application. The design style of art deco includes groves of thick metal that are then laid within heavy concrete as well as foundations that are full-bodied. If you use it within your home or business, you want to include not just the walls but also the inclusion of art deco furnishings as well. Because its influences include both the Aztecs and Egyptians, you will experience a pyramidal feeling when you visit many buildings that include art deco. A gradual form reduction may give an impression that boasts of vigor and stamina, thus the reason art deco survived when the depression was in existence. It is still capable of having that impact today.
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4 |
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Home Family/Home Improvement |
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2007-08-17 |
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Mosaic art is an ancient art form, going back over 4000 years. It has experienced many changes, though the technique has remained the same. Today, mosaic art has replaced other types of art for consumers and businesses. Certain parameters are in existence for the purpose of judging the quality as well as the worth of both animate and inanimate objects. For example, a good person should possess both morality and ethics, and a high-quality book should provide beneficial information, be easy to comprehend and well-written. Likewise, any building, including a house, and workplace is judged based upon its visual appearance as well as the construction material's quality. Using Mosaic Art to Decorate In addition to using brightly colored paints in varied color combination and marble floors and tiles, there is another idea that will great enhance the appearance of any room—installing mosaic art. With mosaic art, you intermix different colors of stone, glass, and other items in order to form pictures or patterns. History of Mosaic Art Mosaic has been in existence since ancient times. It began many centuries ago. In the 3rd and 4th century BC, the Mesopotamians developed a type of mosaic art using baked clay formed into thin cones whose ends were painted in different colors. In a similar fashion, Greeks used pebbles made into a mosaic fashion to decorate their floors while Macedonians decorated buildings and other structures with mosaics made of polychrome pebble. More than the ingredients were varied—the images created were even different among the various civilizations. For example, in 300 and 500 BC, Christian mosaic usually depicted scenes of hunting, depictions of birds, and scenes of animals while 7th Islamic mosaics of the 7th century were usually pictures or scenes of flowers. The technique employed to create mosaic artwork has remained the same over the centuries, though the art itself has experienced a number of changes and been greatly refined. Mosaic Art Industry Phoenician Arts is a third generation mosaic arts company whose name is well known in the industry. Thanks to the efforts of this company, there is a new depth to this ancient art form. Phoenician Arts produces hand-made mosaic designs that they carve from genuine marble and other varieties of stones in the semi-precious category. They have also managed to revive and reproduce traditional Greek, Roman, and Byzantine elite mosaics. The Phoenician Arts' mosaics are excellent paradigms of life during primitive as well as contemporary times. It is little wonder that mosaic art has replaced most other forms of art that are in existence today. Currently mosaics are more requested than any other way to augment the visual quality of any place or building. Phoenician Arts creates mosaic arts for different themes including medallions, pictures of animals, figures and scenes, themes from the kitchen, religious themes, geometric figures, and much more, most of which are used to decorate the indoors and outdoors. In a house and workplace, you can install mosaics in dining areas, living room floor area, above the fireplace, in and archway, and much more. Outdoor mosaics uses include mosaic tables, pools, gardens, and building and home entrances.
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5 |
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Clyde Lee Dennis |
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Travel Leisure/Travel Leisure |
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2007-09-24 |
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For as long as man has been recording history artistic developments have reflected the societies in which they occur. This includes their geographic locations. The history of fresco painting is closely bound, and a reflection of the history of art in general. Fresco which means fresh in Italian, is a form of painting murals in earth tones are directly applied to wet plaster. The first fresco paintings have been dated as far back as 30,000 years ago. The earliest discoveries being of paintings done in the Chauvet cave located in France. More than 15,000 years ago frescoes were created in other caves in Lascaux, France and Altamira, Spain. These examples of early fresco paintings are brilliant testimony of the long history of this form of art. The early frescoes, painted on the limestone walls of the caves, contained remarkably expressive and realistic figures of horses, bison, bears, lions, mammoths, and rhinoceroses. These paintings continue to fascinate researchers and art historians even today. The technique of painting frescos on wet plaster evolved somewhere around 1500 BC. It is widely believed that this technique allows the artist more flexibility in the use and the placement of the frescoes for meeting more decorative goals. The earliest known examples of such frescoes are believed to have appeared around 1500 BC and can be found on the island of Crete in Greece. The most famous of these early paintings, The Toreador, depicts a crowned ceremony in which the individuals jump over the backs of large bulls. While some similar frescoes were found in other places around the Mediterranean basin, in particular in Morocco, their origins are subject to speculation. Some art historians believe that fresco artists from Crete may have been sent to Morocco as part of a trade exchange, a possibility which raises to the fore the importance of this art form within the society of the times. Frescoes were also painted in ancient Greece, but few of these paintings have survived. In Southern Italy, at Paestum, which was a Greek colony, a tomb containing of the frescoes dating back to 470 BC. These frescoes depicted scenes that indicate the life and society that was active at the time which was that of ancient Greece. Fresco
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6 |
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Christine Macguire |
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Home Family/Crafts |
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2007-07-03 |
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Vietnam is a vibrant, tropical country located in the heart of Southeast Asia. This small strip of land shaped like S and lying on the eastern part of the Indo-Chinese peninsula, has been a witness to decades of wars and political isolation. Apart from widespread destruction of agriculture, urban and rural infrastructure as well as industries, erstwhile wars and their aftermath have also affected the art and cultural activities of the Vietnamese people to a very large extent. Until recently, Vietnamese artists were virtually unknown outside the country. A majority of Vietnam s artists were unknown within Vietnam as well. Vietnamese art has had a rather long history. The Vietnamese people have their origin in the Mongoloid race, which is scattered throughout northern and eastern Asia. Since ancient times, the Vietnamese have had a strong inclination for arts and culture. Painting and sculpture in Vietnam were under the influence of French Modernism and Soviet Socialist Realism for almost a hundred years. Historical influences came from Chinese painting and printmaking along with the Vietnamese painter-poet tradition of landscape and figurative genre painting. Vietnam has longstanding folk traditions. Techniques and styles are often handed down within families from generation to generation in this country. The first flourishing of Vietnamese art occurred with the emergence of the Dongson culture on the coast of Annam and Tonkin between 500 and 200 BC. The form of bronze architecture and art prevalent at that time was inspired by contemporary Chinese bronze art. The decorative motifs have clear affinities with earlier Chinese bronzes. The exceptional skill of production and decoration in Vietnamese art argues that these pieces represent among the first and finest of Southeast Asian works of art. This is most evident in the huge and glorious bronze drums that can be seen in museums in both Hanoi and Saigon. If there was ever a 'golden' period of the Vietnamese art and architecture, it was that of the former central Vietnamese kingdom of Champa, centered on the Annamite coast. It flowered in the 10th and 11th centuries. The strong theme of heroism and the long struggle for freedom and independence has invariably crept into Vietnamese art and culture. Moreover, the Vietnam War and its experience in general have helped forge a link among the general mass, soldiers and art and history. The War and its impact on those who participated on either side are brought to the immediate grasp of the public, as they become true first-hand witnesses to the war experience. The artwork and artifacts that a make-up perfect exhibit that provides the opportunity for the mass to physically and personally experience the past. Artists in Vietnam have had more restricted opportunities for showing new aesthetic tendencies or socially critical art than in most other countries. Re-emerging after decades of turmoil, the country has been busy rebuilding the damage from decades of war, surviving on aid from foreign nations. The Renovation literary movement in Vietnam, which began in 1986, has reached its peak and has not concluded yet. Lacquer practice has held a major role throughout the history of Vietnamese Art and particularly so, in 20th Century Vietnam, when a new approach, through color and form, was employed to develop this ancestral technique in order to promote it as an aesthete that is unique to Vietnam. The new culture of Contemporary art has seen tremendous growth in recent years, and continues to thrill with bold, intriguing works of art. Dazzling in fluorescent hues of citrus, ruby, azure and violet, some of the renditions of beauty are characterized by nuances of spring, the season of love. Women, as the artist s favored theme, often become the central focus. Contemporary Vietnam artists have thus succeeded in breathing a new lease of life to Vietnamese art that will go a long way in keeping the interests of art connoisseurs alive.
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7 |
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Ash Bisterre |
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Home Family/Crafts |
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2007-07-04 |
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Art theft is an ancient and complicated crime. When you look at the some of the most famous cases of art thefts in history, you see thoroughly planned operations that involve art dealers, art fakers, mobsters, ransoms, and millions of dollars. Here you can read about some of the most famous cases of art theft in the history. The First Theft: The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption. The Most Famous Theft: The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly. It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting. While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913. The Biggest Theft in the USA: The biggest art theft in United States took place at the Isabella Stewart Gardner Museum. On the night of March 18, 1990, a group of thieves wearing police uniforms broke into the museum and took thirteen paintings whose collective value was estimated at around 300 million dollars. The thieves took two paintings and one print by Rembrandt, and works of Vermeer, Manet, Degas, Govaert Flinck, as well as a French and a Chinese artifact. As of yet, none of the paintings have been found and the case is still unsolved. According to recent rumors, the FBI are investigating the possibility that the Boston Mob along with French art dealers are connected to the crime. The Scream: The painting by Edvard Munchs, The Scream, is probably the most sought after painting by art thieves in history. It has been stolen twice and was only recently recovered. In 1994, during the Winter Olympics in Lillehammer, Norway, The Scream was stolen from an Oslo gallery by two thieves who broke through an open window, set off the alarm and left a note saying: thanks for the poor security. Three months later, the holders of the painting approached the Norwegian Government with an offer: 1 million dollars ransom for Edvard Munchs The Scream. The Government turned down the offer, but the Norwegian police collaborated with the British Police and the Getty Museum to organize a sting operation that brought back the painting to where it belongs. Ten years later, The Scream was stolen again from the Munch Museum. This time, the robbers used a gun and took another of Munchs painting with them. While Museum officials waiting for the thieves to request ransom money, rumors claimed that both paintings were burned to conceal evidence. Eventually, the Norwegian police discovered the two paintings on August 31, 2006 but the facts on how they were recovered are not known yet.
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8 |
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James Carlson |
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Arts Entertainment/Arts Entertainment |
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2007-04-01 |
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Art lovers in Albany already know that there are quite a few different places to visit to get their art fix. The city is rich in culture and history based attractions. One of the more popular destinations for art lovers is the Albany Institute of History and Art. Read this article and learn a little bit about this attraction and learn why you should put it on your must see list. The Albany Institute of History and Art is one of the oldest museums in the United States. It recently underwent a major renovation and expansion and has been carefully restored to its former glory with a few modern touches added for good measure. The museum tells the story of the Albany area by explaining the history and displaying the artwork of local artists. The permanent collection in the museum is quite extensive and includes pieces of work from Thomas Cole, Walter Palmer and other local artists who lived in the region over the centuries. It also includes examples of furniture from the past, clothing from the past and other artifacts which help you get a glimpse of what life has been like over time in the Albany and Hudson Valley region over the years. Although the main emphasis of the museum is on the local area there are other galleries as well. For example, you can learn about Ancient Egypt by viewing the Egypt gallery featuring a pair of mummies and other artifacts. As you can see there are quite a few things to see and experience at the museum. If you are planning on being in the Albany area or live near the city you should definitely check it out. If you would like to visit the museum you can find it at 125 Washington Ave . The museums information line is 518-463-4478, you should call this number to check on current hours before visiting. Have fun. Visit the authors website for information on carpet and upholstery cleaners in the Albany area.
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9 |
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Anita Satin Choudhary |
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Home Family/Crafts |
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2008-04-05 |
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There are no culture which does not appreciate beauty of silver has not been touched by the artistic work of silver. It was during Renaissance the silver-smiths hit the heights of its craftsmanship. During the pre-Christian era, silver was higher in worth than gold was, and the Bible mentions silver in several areas as having value and worth. During the Baroque period, the royalty of England prospered in silver from coins to silver crafted cups. The Rococo styles brought out beautiful silver art, as did the Art Nouveau period while at its peak period. Russia has a uniqueness of richness in silver artworks and silver inlays. There are no culture which does not appreciate beauty of silver has not been touched by the artistic work of silver. Although the exact period that silver had begun to be used, but presence of silver in Egypt dates back to 2500 B.C. These silver decorations were done in stone, resembling to be the first forms of silver-smith. It was during Renaissance the silver-smiths hit the heights of its craftsmanship. This was the time period that silver craftsmanship became more intricate designs. Silver is a highly versatile metal that has been known to be used in manufacture of coins, large statues art of filigree in fine wires and used in inlay in precious stone, paintings, worked in gems or ivory and even Faberge to create decorative pieces and jewelry for personal adornment. Silver has played many roles throughout every culture and is highly valued even today. During the colonial era in America, silver-smiths were part of the American history with many notable craftsmen make a niche in working with the silver. During the pre-Christian era, silver was higher in worth than gold was, and the Bible mentions silver in several areas as having value and worth. Apart from Americans, European countries have had their own historic connection with Silver. During the Baroque period, the royalty of England prospered in silver from coins to silver crafted cups. The Rococo styles brought out beautiful silver art, as did the Art Nouveau period while at its peak period. Russia has a uniqueness of richness in silver artworks and silver inlays. The Jewish religion has an intertwined connection that could be even more special than the Russian silver connection. Silver Judaica is one of the oldest functioning art forms relating to the first Synagogues of Jerusalem. Silver Judaica can not only be categorized as an art, but as an important religious aspect of Judaism and gains even more significance as time goes by. Every Jewish ceremony has a specific silver item beautifully crafted for one of the many Jewish religious celebrations. Throughout many of the countries today, silver is now less expensive as compared to gold, but this does not mean that silver is not desired. It retains its own unique place today as it has been in the past. Silver jewelry alone is high in value and continues to be placed in the categories of investments close to the levels of gold and platinum used as investments and as the raw material of most of the artistic mediums.
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10 |
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James Carl |
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Travel Leisure/Destinations |
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2007-04-01 |
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Art lovers in Albany already know that there are quite a few different places to visit to get their art fix. The city is rich in culture and history based attractions. One of the more popular destinations for art lovers is the Albany Institute of History and Art. Read this article and learn a little bit about this attraction and learn why you should put it on your must see list. The Albany Institute of History and Art is one of the oldest museums in the United States. It recently underwent a major renovation and expansion and has been carefully restored to its former glory with a few modern touches added for good measure. The museum tells the story of the Albany area by explaining the history and displaying the artwork of local artists. The permanent collection in the museum is quite extensive and includes pieces of work from Thomas Cole, Walter Palmer and other local artists who lived in the region over the centuries. It also includes examples of furniture from the past, clothing from the past and other artifacts which help you get a glimpse of what life has been like over time in the Albany and Hudson Valley region over the years. Although the main emphasis of the museum is on the local area there are other galleries as well. For example, you can learn about Ancient Egypt by viewing the Egypt gallery featuring a pair of mummies and other artifacts. As you can see there are quite a few things to see and experience at the museum. If you are planning on being in the Albany area or live near the city you should definitely check it out. If you would like to visit the museum you can find it at 125 Washington Ave . The museums information line is 518-463-4478, you should call this number to check on current hours before visiting. Have fun.
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11 |
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Gray Hamilton |
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News Society/culture |
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2007-10-23 |
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The first mechanical reproductions were prints made in about the 5th century. Such prints allowed an artist to distribute many copies of his or her work, with few or no differences between the copies. This article details visual qualities and techniques involved in five kinds of art prints. The oldest form of printmaking is the woodcut. Originally, these art prints were created when an artist drew a sketch on a block of wood, and then cut away all parts of the wood that were not to be inked. Ink was then rolled onto the block of wood, sticking to it only on the raised sections of the drawing. After inking, the block could be pressed onto a sheet of paper to transfer the drawing. Engraving is another form of printmaking. In contrast to woodcut, in engraving the block has depressed areas to which the ink clings. Copper is typically used for the metal block. Then a sketch is scraped onto the metal with special engraving tools. This process allows for many more copies to be produced than woodcut, since a metal plate is very durable. One interesting variation on engraving is called drypoint. Here, the tool used to engrave the sketch leaves a fine, feathered edge. No other printing process creates the same effects as those seen in drypoint art prints. A disadvantage is that drypoint prints cannot be made in large quantities, because the feathered edges on the plate eventually wear smooth and lose their unique quality. Lithography begins by sketching an image onto a solid limestone block with a grease pen or similar medium. When acid is applied, the drawing is literally burned into the block, capturing small details that can be blurred or lost with other printing processes. Finally, the giclee print process uses more modern, digital imaging techniques. A digital scan is reproduced on paper using jets of finely colored ink. Color is mixed into many different shades on the page, creating a high-resolution print with a rich level of detail. Because of the visual richness, popular giclee prints include landscapes and flower paintings. Giclee prints for sale are reasonably priced and available at many fine art print shops. The oldest form of mechanical reproduction is called printmaking which goes back in time to about the 5th century. With this form of reproduction the artist can send out many copies of his art, identical or otherwise. This article talks about five different types of art prints the techniques used to make them, and their artistic results. The modern imaging process used in making giclee prints reproduces a digital scan onto paper. In this process high-quality colored ink is sprayed onto the page using jets.
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12 |
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Irene Forde |
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Arts Entertainment/art |
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2008-04-20 |
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Pinup, glamour, and 'cheesecake' began to gain popularity in the 1930s. It was a time when the image of a pretty girl flourished. Glamour photography has changed over time as the female form, portrayed in art and photography, became more provocative. During World War II pin-up pictures of scantily clad movie stars were extremely popular among US servicemen. Whether it was a painted calendar, advertisement, or the photo pinups that the G.I.s pinned on their locker doors,and which later adorned the noses of their bomber planes in WW2. Famous illustrators like Petty, Rolf Armstrong, and Gil Evgren began creating some of the most memorable, technically exquisite ́Americana` ever produced! Calendars, magazine covers and matchbooks became a personal view into the life of the girl next door. However, until the 1950s, the use of glamour photography in advertising or men’s magazines was highly controversial or sometimes even illegal. Magazines featuring glamour photography were sometimes marketed as "art magazines" or "health magazines". Pinup art continued to grow in popularity, and sophistication through the 1950s. Movies were made about Pinup Artists and models, and most actresses of the time were considered pinups first then actresses. Marilyn Monroe was Earl Morans' favorite model before and after she became a movie star! Numerous celebrities posed for pinup and glamour artists. Playboy was instrumental in changing the world of glamour photography as the first magazine that focused on nude models and was targeted at the mainstream consumer. In December 1953, Hugh Hefner published the first edition of Playboy with Marilyn Monroe on the cover and nude photos of Monroe inside. Monroe's star status and charming personality helped to diminish the public outcry. When asked what she had on during the photoshoot, she replied "the radio". After Playboy broke through, many magazines followed and this was instrumental in opening the market for the introduction of glamour photography into modern society.
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13 |
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Sue Rauch |
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News Society/culture |
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2007-05-11 |
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Firenze, as the Italians call it, is one of those A-list travel destinations with an embarrassment of riches for the eager tourist to explore. Florence has an abundance of elegant piazzas and charming restaurants, trendy pubs, neighborhood bars and cafes just waiting to revive the weary traveler. You'll find stylish gathering places dotted all over the city, chic Florentine shopping, boutique hotels, and a profusion of lively hot spots whose existence was never dreamed of by the famous deMedicis. But wonderful as the twenty-first century is, the reason most travelers come to Florence is for Florence’s number one attraction... the art. More than 60% of the world’s great works of art are in Italy, and of those, more than half (as estimated by UNESCO) are in Florence. You're in for a real treat. Your first stop on any tour of Florence is likely to be the Piazza della Signoria, right in the heart of the historic center of town. Surrounded by some of the city's most venerable old buildings including the 14th century Palazzo Vecchio and the 16th century Palazzo Uffizi, the Piazza della Signoria was and still is the cornerstone of Renaissance Florence. It's a kind of al fresco art gallery... you can stroll around Neptune's Fountain, marvel at Cosimo de'Medici mounted on horseback, see a copy of Michelangelo's David and a copy of Donatello's Marzocco... the heraldic Florentine Lion, (the originals of both are now housed in the Galleria dell’Accademia and the Bargello Museum, respectively.) In the Loggia della Signoria you will find Benvenuto Celini's Perseus With The Head of Medusa, and Giambologna's Rape of the Sabine Women. Galleria dell’Accademia Founded as Florence's, and possibly Europe's, first art school, (the Accademia di belle Arti, or Academy of Fine Arts) in 1563, the Accademia's holdings consist of mostly religious paintings by Florentine artists from mid-13th to late 16th centuries. The collection includes some wonderful late-gothic polyptychs, the work of 19th-century sculptors Lorenzo Bartolini and Luigi Pampaloni, plus a section of Russian icons. More recently the Gallery has added a fascinating collection of historical musical instruments from the Cherubini Conservatory. Though the Accademia, like all Florentine galleries, is home to a large collection of spectacular art and sculpture, inevitably, the piece which every visitor comes to see, the top of every tourist's must-see list, the piece which resonates, whose image will linger in your mind's eye long after you have returned home from vacation... Michelangelo's David You see him from a distance, eighteen feet tall, mounted on a pedestal above the heads of the crowd, glowing, pristine marble illuminated by a skylight in the vaulting above. He takes your breath away... first the size and scope of him, which no one expects, then the sheer, aching beauty of him, the exquisite, pulsing detail. He represents humanity breaking free of oppression, but the perfection of his form is beyond human. Michelangelo was 29 years old when he created David from a single block of marble, a miraculous, inspired work of art in every sense of the word. To even begin to fathom how such a feat was possible, you have to back track into the Hall of The Prisoners, so called. They are a series of Michelangelo's unfinished figures which seem to be unfolding out of their marble blocks with a desire to be free, clearly showing the master's eye for the natural form, and his chisel at work. The Duomo The other landmark sight which leaps off the page of every Florence tour guide because of its brilliant and unique colors, is Florence's Basilica Santa Maria del Fiori, known simply as the Duomo for its magnificent dome. There's a sense of complete familiarity when you see it in person, so distinctive is the facade of pink, green and white marble. Designed and begun by Arnolfo di Cambio in 1296, work on the landmark cathedral by the best Florentine artists and craftsmen continued for over 150 years. It was finished, minus the cupola, around 1367, but it was not until 1415 that master architect Filippo Brunelleschi won a public competition for the assignment to complete the dome by coming up with the bold and innovative design which would allow the massive cupola to be built without underlying framework, a technique known in antiquity to the Greeks and Romans but which had been lost during the dark ages. The Baptistry Opposite the cathedral stands the Baptistry. Once the site of a Roman temple and one of the oldest buildings in Florence, it is an octagonal structure built between the fifth and twelfth centuries. Dedicated to San Giovanni di Batista, it's most famous features are its bronze doors. Ghiberti’s Doors The city of Florence awarded the commission for the creation of the Baptistry doors to Lorenzo Ghiberti, in a public competition in 1401, and he subsequently worked on the ten panels and their carved surrounds for twenty seven years. Sculpted in bas relief they depict scenes from the old testament and were so exquisitely executed they were dubbed the 'Gates of Paradise' by Michelangelo. The panels that you actually see in the Baptistry doors today are reproductions. The originals have been restored and are housed in the Museo dell'Opera del Duomo. Medici Chapel Called the New Sacristy, this chapel is the final resting place for the tombs of two of Florence's Medici rulers. It was designed by Michelangelo as a funeral chapel and memorial for Lorenzo de'Medici, son of Lorenzo the Magnificent, and Giuliano, his grandson. The sarcophagii are draped by the exquisite reclining forms of Dawn & Dusk, and Day & Night, allegorical figures for the passing of time, rendered in Michelangelo's characteristic, larger-than-life, heroic style. An idealized statue of each of the two Florentine Dukes sits framed in an alcove above each tomb. Lorenzo represents thoughtful, contemplative man, while Giuliano with his soldier's baton across his knee, is active, dynamic man... contrasting aspects of the human soul in Michelangelo's lexicon. Michelangelo spent fifteen years creating the chapel and its sculptures, and ultimately left them unfinished as he was called to Rome to begin work on the Sistine Chapel's Last Judgement. There was never a suggestion that they be completed by anyone else as the emotional impact of every piece is fully realized, and would not be improved upon were they finished. The Uffizi Florence's most famous art gallery, the Galleria degli Uffizi situated in the Palazzo Uffizi, literally, the Palace Offices contains the world's largest collection of Italian and Florentine art. This was the de'Medici family's private art collection which was bequeathed to Florence in 1737 on condition that it never leave the city. The extraordinary opulence and scope of the collection is testament to the wealth and sheer reach of the de'Medicis. This is a place to see treasures... there are two-thousand-year-old sculptures here. You will find early works by Fra Filippo Lippi, Cimabue, Giotto, and Masaccio. Central to the collection are the Botticelli Rooms. You will also find Leonardo's Annunziazione, and Michelangelo's Holy Family. There are literally rooms full of Raphaels, of Titians, of Veroneses, Tintorettos, Caravaggios, and Canalettos. Plenty of non-Italians are well represented in the Uffizi too: Rubens and Van Dyck, Rembrandt, Breughel the Elder, Durer and Goya. Take deep breaths, you're in pretty heady company. In today’s terms these were mega-stars. Pace yourself. It is possible to feel overwhelmed in the presence of this abundance of exceptional talent. Just try to maintain your decorum. Don't gush. When you visit Florence give the Uffizi Galleries as much time as you possibly can. It will not be nearly enough. Copyright ©2007 Sue Rauch Sue Rauch is a freelance writer who runs GrabYourPassport.com a travel information site dispensing wit and wisdom in its city guides for wanderers, gadabouts and those of us curious enough to want to know the rest of the story.
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14 |
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Gabriel Adams |
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Arts Entertainment/Arts Entertainment |
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2008-05-04 |
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What is a Scrapbook? For those of you who have been living under a rock for the last few centuries and donâ€TMt know what a scrapbook is, this is it: Basically, itâ€TMs just a book full of stuff. What stuff? Anything you can think of. To most people, itâ€TMs a hobby of making collages full of writings, pictures, drawings or even ticket stubs, airplane tickets and museum passes. Donâ€TMt be too quick to dismiss the idea of scrapbooking as childish or unimportant. Scrapbooking, on the surface, is a simple creative outlet. But, on a deeper level, itâ€TMs a way of recording our histories or notable events in our lives. Scrapbooks are a great way to express yourself or show others who you are and where youâ€TMve been. Today scrapbooking is a multi-billion-dollar industry. There are scrapbooking clubs, blogs, etc. and it doesnâ€TMt appear to be going anywhere in the near future. When did Scrapbooking Start? A “scrapâ€� used to be how you refer to a picture that is unmounted. People kept entire books full of unmounted pictures and those were, literally, the first scrapbooks. Scrapbooking is not a phenomenon that came about recently. Though not in their current form, the idea of scrapbooking has been around for centuries. The first scrapbooks were in use as far back as 1598. Scrapbooks gained prominence during the Renaissance. These precursors of the modern day scrapbook were called †̃commonplace booksâ€TM. Hamlet writes in one saying: “Smile and smile and be a villain.â€� John Locke, the philosopher, highlighted them in his manual titled: "The New Method of Making Common-place Books." In 1769 came the Granger books, books used by William Granger. Granger used this form to publish a history of England with extra illustration of the text in the appendix. Granger books were also called extra-illustrated books. A major interest in scrapbooking came about in 1826, with the publication of “Manuscript Gleanings and Literary Scrapbookâ€� by John Poole. The term †̃scrapbookâ€TM was, however, coined a few years prior and had until then existed under various names. During the late 1800s, Mark Twain also popularized the usage of scrapbooks by patenting a series of them in 1872. Photography and Scrapbooking The invention of photography took the concept of the scrapbook to another level and changed the way it was done completely. Now, it became possible to also capture scenes of the events being described in the text as well. In the 20th century, the popularity of the scrapbook declined. This was because, during the time of the first Word War, recession caused businesses, even the business of recording happy times, to close down. Another reason was that around 1940, the mass production of photo albums started and people ignored the scrapbook as the preferred method of recording events in their lives. The resurgence in scrapbooking started with Alex Haleyâ€TMs “Rootsâ€�. Ever since, there has been renewed interest in scrapbooking and, today, it has acquired a newer shade with the introduction of digital technology.
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15 |
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Arts Entertainment/Arts Entertainment |
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2008-03-04 |
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In part two of our four-part discussion with Vinyl Record Day Founder and vinyl businessman Gary Freiberg (http://www.RockArtPictureShow.com & http://www.VinylRecordDay.org), we focus our attention on the history of album cover art. CDs and computer files fail to give an artist or group a proper canvas in which to display their visual art, to help create an image of who the group is. After all, not everyone buys a record strictly for the music. “Album cover art historically catered to recognizing some customers will purchase an album just for the cover art,” said Gary Freiberg. “Now this commercial pursuit, perhaps the most creative product packaging there has ever been, has become an American art form with significant social importance.” “Album cover art is a unique depiction of the evolution of our society,” explained Gary. “Since it was first introduced in 1939-40 it has evolved both in format and subject matter. Initially album covers were drawn illustrations; Alex Steinweiss, the creator of the art form, has a strong European poster influence. Steinweiss covers are among the few that are “signed” by the artist; his name is typically along the right side edge on the front of the album cover he designed. In the fifties technology advancements in photography replaced illustrated covers with head shots and scenes depicting “typical” life at the time, everyone was white, wore a tie or cocktail dress and had perfect children. It was Sgt. Pepper that changed it all graphically, creativity zoomed after that release and compared to what had been, the gloves came off on what was acceptable.” Freiberg continues, “However; regardless of the graphic method, album cover art has always depicted our social values, racial attitudes, lifestyles, fashion and political views in a way that is only seen in the art form. It reflected who we were, who we were supposed to be, and at times, led who we became.” Discussing the roots of album cover art Gary Freiberg adds, “When Alex Steinweiss was hired by newly formed Columbia Records to be their art director, he was the first in the industry to create advertising material to promote a company’s musicians. His background was in poster art and was heavily influenced by French and German artists. Steinweiss had a logical idea; he suggested discerning different artists and their music by having art on the paper packaging in place of the plain brown paper packaging that was customary when individual records were first introduced. The brown wrapped records promoted the record company; there was no promotion for the artist or the music other than the hole in the center that allowed reading what the record was. The idea had merit since there were no record stores, records were sold in the back of appliance stores. Steinweiss argued an art cover would make the customer stop, pick up and want to look at the record. Thus a better likelihood they would buy it. One of the first attempts, a record of Beethoven ‘hits’ had an 800% increase in sales.” “History has shown this was pure genius, not just because it revolutionized the marketing of music, but for the accidental visual recording of a society that dramatically changed in the forty year tenure of album cover art.” Continuing, Freiberg says, “Steinweiss may have been the catalyst to change the visual representation in album cover art but it was the record companies that brought the social changes into visual form. Several record companies, Specialty Records, who gave Little Richard, Larry Williams and others their break, the Jazz label Bluenote and later Motown, were particularly influential in promoting civil rights when this country was experiencing race relation changes that had been building for years.” “Like Specialty, Bluenote was distinctive in that they did not hide their black artists on the album cover. It was common, with some exception, for record companies to hide black artists from public view,” said Gary. “Were they racist or just reflecting society?” Freiberg rhetorically asked. “Having a black artist on the cover was very socially controversial at the time.” He then quickly adds, “But doing so was a reflection of what was happening in society at large and was a part of the puzzle that coalesced into legislation changing racial equality.” Asked about the influence of the respected Bluenote label, Freiberg explains what made this company revered among record companies. “They had a very, very unique and cohesive integration; the recording, the pressing and album cover art were all combined to present the product. There leadership was not confined to who they put on the album cover. Designer Reed Miles was the primary graphic artist and he wanted to know the mood and the intent of each one of the records that Bluenote produced. His goal was to then integrate the cover art so that it would reflect and be consistent with the mood of the music. It was a step forward that other companies emulated but perhaps not until Sgt. Pepper accomplished.” In our next article, we will discuss the Beatles’ majestic and historic Sgt. Pepper album with Gary and why it is so popular and innovative, as well its role in the historic album covers of all time.
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16 |
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Saatchi-Gallery |
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Arts Entertainment/Arts Entertainment |
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2008-05-04 |
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Kati Heck approaches painting as a cacophony of pre-fab languages. Her canvases give the illusion of collage: stylistically blending photorealism, illustration, cartoon, and expressive painterly gestures, and incorporating their associative references of porn, instructional manuals, humour, and art history. Her works are grounded in both formalism and fiction. Influenced by comics, mystery novels, and film, each painting plays out a possible narrative, using compositional elements to create suggestive links between her visual descriptions. BIOGRAPHY 1979 Born in DÃ1⁄4sseldorf, Germany Lives and works in Antwerp SOLO EXHIBITIONS 2006 • W139 Amsterdam • Marc Selwynn Gallery, Los Angeles • New Talents, Art Cologne, (Galerie Annie Gentils) 2005 • Kunst Rai, Amsterdam • Die Grosse Egale, Gallery Annie Gentils,Antwerp, Belgium Katie Heck is often the protagonist in her work: she is the good fairy who, with her work and aura, offers to her fellows a magical potion meant to engender a change in their manner of thinking. Katie Heckâ€TMs work seems constructed from the colourful innocence of childhood. Aside from the often masterly painted and drawn figures, there also appear various comic-book heroes with whom she grew up. They play the role of propitious spirits, and exercise a positive influence on the viewerâ€TMs human brain. In addition to Lurchi and Yps, the figure and stories of Alfred Hitchcock inspire Katie Heck to put in train her own detective tales.Through her paintings and drawings she wishes to overcome this inertia. In drawings and paintings, the artist herself along with friends and family members are presented with feet set in concrete blocks, with gloves to protect their hands from external “dangersâ€�, with mouths also covered by face masks. what to Do Next... want to know about Kati Heck Exhibitions or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/kati_heck.htm
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17 |
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Sam Tennyson |
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Arts Entertainment/art |
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2007-05-25 |
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After the Second World War there followed a huge transitional period across Europe and the United States. Major reconstruction was the order of the day across Europe and, slowly, an increasing prosperity and abundance was enjoyed by the populous in these territories. It was the dawn of a new era, but it wasn’t until the 1960s that the emerging “consumer” society gave rise to a demand in goods that were simply unobtainable until then. British pop art can trace its roots back to the mid 1950s. A small independent group comprising notable artists at that time together with critics in the art world put together an exhibition which was held at the Whitechapel Art Gallery in 1956. This exhibition was a focus on the topic of cheap consumer products and the role that they played in modern life. Although it didn’t seem like it then, the exhibition was a major step forward in the art world and a huge departure from what had gone before it. The erstwhile critic, Lawrence Alloway (1926-1992) hailed it as the birth of something new and in 1958 he christened this distinctive style of art as “Pop Art”. Key figures in the British pop art scene that followed were Richard Hamilton (b. 1922) whose work depicted cars, pin-up models and electric appliances, amongst others. Peter Blake (b. 1932), on the other hand, concentrated on comic strips and pop singers while the magazine collector Eduardo Paolozzi (b. 1924) produced impressive collage prints by recycling and integrating old advertisement material with comic-strip images. As for the US, during the 1950s the art world was dominated by “Abstract Expressionism”. It was until the early 1960s when art critics and American artists alike began to embrace Pop Art and give this new style of art their own inimitable American “take”. In 1962, an exhibition entitled “New Realists” was held at the Sidney Janis Gallery in New York. This was ground-breaking in America, not least because the exhibition featured work from artists including Andy Warhol (1928-1987), Roy Lichtenstein (1923-1997), Claes Oldenburg (b. 1929), Jim Dine (b. 1935) and James Rosenquist (b. 1933). Of these, Warhol, Lichtenstein and Oldenburg went on to become key figures on the pop art world. Warhol became a household name. Indeed, Warhol’s fame elevated in 1962 after his “Campbell’s Soup Cans” work was produced and featured in separate works - firstly as individual “cans” and then the same cans aligned in immaculate rows. Marilyn Monroe and Jackie Kennedy, possibly the biggest 60s female icons at the time, were also given the “Warhol treatment” in which he silk screened their images, altered the colours and reproduced them in repeated patterns. Roy Lichtenstein was very much a “comic-strip” artist and produced masses of works using imagery from comics. Starting out in 1960, he painted vastly-inflated images of comic-strip frames formed from the dots of colour newsprint. During the same year, Oldenburg set about carving his own niche in the pop art world, creating large, painted plaster sculptures of sandwiches and cakes ! These were soon followed by huge plastic appliances that were softened to allow them to give a distinctive “droop”. All of it was designed explore the nature of “consumer culture” that was sweeping the nations on both sides of the Atlantic. With mass consumer commercialism on the rise at an alarming pace (and seemingly with no end in sight) “Pop Art” remains very much alive and is perhaps even more poignant and thought-provoking today as it was even in the mid twentieth century.
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18 |
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Saatchi-Gallery |
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Arts Entertainment/Arts Entertainment |
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2008-05-04 |
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Li Qing was born on 1981 in Huzhou, Zhejiang province, China. He is a graduate student at China Academy of Art and one of the representatives of this new generation. In Li Qingâ€TMs work juxtaposition usually occurs between two similar subject matters or scenes but in difference chronologically. The tension or relation between the two is usually the resource of concept of the work. In Chinaâ€TMs art scene the juxtaposition of old and new, which reflects the remarkable social transition taking place over the last three decades, was/is popular. Li Qing is making a simple and easily accessible visual world where audience may exchange idea and share a common feeling. Many of the prototypes of contemporary Chinese art were heavy in their subject matter in order to express artistsâ€TM negative attitude towards the current corruptive system. Li Qing successfully presents a magic pictorial series of contemporary Chinese art. Simultaneously, psychological complexity toward the remarkable social transitions of China is easily understood. His art is a visual game but entwined with social information that reflects the vicissitudes of the society. The subject matter is ordinary, and unnoticed, some are like news photo for a propaganda purpose. He presents a picture that combine with images and reality. Grand rhetoric and heavy theme are non-exist. Li Qing is more interested with an ordinary scene that affects our perception to the world. Li Qing is a great practitioner of oil painter. With his bold brush stroke, exact impasto, and, he smartly turns the visual games and subject matter into his own painterly game, a pictorial world that reflects changing reality. This pair of almost identical paintings by Li Qing is based on an image taken from The Scandal of the Century, a documentary film on the notorious marriage between Prince Charles and Princess Diana. Neither of the two paintings is a strict reproduction of the original image. Instead, the artist has deliberately inserted six slight alterations into these two paintings, the most noticeable ones being the two star-shaped knots vs. two round-shaped knots on the red cloth in the foreground. Wedding is part of a larger series consisting of matching images in pairs, which the artist started in April 2005. The differences that the artist designed for every pair of paintings often rise from the irreproducible nature of experience and memory, the derivatives of conspiracy and disclosure, the delicate division between reality and forgery, and the relationship between painting and source image. As the viewer is coaxed into looking for the distinctions between the two paintings, the artist questions the principle of painting which dictates that every stroke canâ€TMt be repeated. Conclusions: Li Qing is among those group younger artists. Their emergence in the art scene will be symbolic to Chinese art world and the entire society at large. For the artist his visual game is perhaps a play of pigment and stroke, but his audience there is something significant behind the game. What to Do Next... If you want any information about Li Qing or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/li_qing.htm
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19 |
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Brian Art |
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Arts Entertainment/Arts Entertainment |
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2008-05-04 |
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Chinese Art Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. Early forms of art in China were made from pottery and jade in the Neolithic period, to which bronze was added in the Shang Dynasty. The Shang are most remembered for their bronze casting, noted for its clarity of detail. Fragments of pottery vessels dating from around the year 9000 BC found at the Xianrendong (Spirit Cave) site, Wannian County, in the province of Jiangxi represent some of the earliest known Chinese ceramics. The wares were hand-made by coiling and fired in bonfires. Decorations include impressed cord marks, and features produced by stamping and piercing. The Xianrendong site was occupied from about 9000 BC to about 4000 BC. During this period two types of pottery were made. The first consisted of coarse-bodied wares possibly intended for everyday use. The second being finer, thinner-bodied wares possibly intended for ritual use or special occasions. There is archaeological evidence suggesting that both types of wares were produced at the same time at some point. Some experts believe the first true porcelain was made in the province of Zhejiang during the Eastern Han period. Chinese experts emphasize the presence of a significant proportion of porcelain-building minerals (china clay, porcelain stone or a combination of both) as an important factor in defining porcelain. Shards recovered from archaeological Eastern Han kiln sites estimated firing temperature ranged from 1260 to 1300°C, as far back as 1000 BC. In early imperial China, porcelain was introduced and was refined to the point that in English the word china has become synonymous with high-quality porcelain. During the Sui and Tang periods (581 to 906) a wide range of ceramics, low-fired and high-fired, were produced. These included the well-known Tang lead-glazed sancai (three-colour) wares, the high-firing, lime-glazed Yue celadon wares and low-fired wares from Changsha. In northern China, high-fired, translucent porcelains were made at kilns in the provinces of Henan and Hebei. One of the first mentions of porcelain by a foreigner was made by an Arabian traveler during the Tang Dynasty who recorded that: ''"They have in China a very fine clay with which they make vases which are as transparent as glass; water is seen through them. The vases are made of clay" Tang Sancai burial wares have become a very popular for of art. "Sancai" means three-colours. However, the colours of the glazes used to decorate the wares of the Tang dynasty were not limited to three in number. In the West, Tang sancai wares were sometimes referred to as egg-and-spinach by dealers for the use of green, yellow and white. Though the latter of the two colours might be more properly described as amber and off-white / cream.
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20 |
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Madison Greene |
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Recreation Sports/Martial Arts |
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2007-11-16 |
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There are millions of people all across the world who practice martial arts. Some are masters of the arts while others are first-time students, but one thing that all martial arts pupils share is a respect for its history. This is because they respect how spiritual and sacred all forms of martial arts are. The history of martial arts goes back thousands of years. Its history is one that is full of various different martial art styles and techniques, one in particular being Tai Chi Chuan. One of The Oldest - Tai Chi Chuan Better known in its short forms, Tai Chi, or Chinese boxing, it is one of the most ancient, historical, and distinctive Chinese forms of martial arts. This art focuses on the importance of breathing techniques and non-aggressive self defense techniques. Its masters can effortlessly fend off attackers by using graceful movements that redirect the energy or force of the attacker. But be aware it takes years to master just the breathing techniques of Tai Chi. Tai Chi is specifically designed to provide relaxation in the process of body conditioning exercise, which teaches its students the mental power and peace of meditation. This is why Tai Chi differs so greatly from so many of the other martial art forms. Any history lesson in martial arts needs to include Tai Chi because it was one of the very first art forms to be accepted and practiced worldwide. It closely resembles kung fu in that it may be used with or without weapons. Kung Fu When talking about the history of martial arts one can also not forget kung fu, a martial art that focuses on exercise and a spiritual transcending. The various different movements that are employed in this martial art form are mostly imitations of the fighting styles of animals, and have such names as: * Dragon * Horse * Snake Kung Fu is spectacular to watch in action. If you ever get a chance go watch a sparring tournament. Karate is another of the martial art forms that needs to be included in the history of self-defense arts, and karate can be considered as a form of self defense, a form of physical fitness, or even a way of life. It is one of the most commonly practiced self defense tactics in the world, and there are basically three main components that are included in typical karate training, which are: * Kihon * Kata * Kumite Karate classes can be great for kids and adults alike who are interested in getting in shape, learning discipline and respect. If you have that competitive edge you can also enter sparring tournaments to test your skill against other karate students. Regardless of which particular martial art form you are interested in practicing, the most important thing is that you understand the history behind martial arts in general, so that you can truly understand and respect the dynamics of the many ancient forms of martial arts. It will also give you an idea as to which art you would like to pursue next and why.
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